
Of its native mountain, Houria Aïchi kept a shape of sourness. And it is doubtless this purified aspect which seduced Bernardo Bertollucci to accompany a passage of its film " A tea in Sahara ". The first evidence for Houria Aïchi was to go towards the music. She is endowed with a very beautiful voice, powerful, at once pure and guttural impression especially due to her phrasing, both in Arabic and chaoui.
And then she arises from a family - and of a culture where the music is omnipresent. " To sing fact left the life, the education of the girls, it flows in source. To learn the directory is obvious " she explains in the interviews today. From the age of 7 years, Houria escorted her grandmother who was a renowned azriate. Sort of troubadours in the feminine, azriates went of feast to feast, agents of vocal techniques and directories which could so be passed on through valleys and generations.
Listenning to Houria Aïchi is like listenning to 300 years of history, tradition & feelings...
The song i chose from her last CD, is called The Grey Mare and i translate words for ya
The Grey Mare
The grey mare
With two witnesses appeared,
Mounted by handsome Allaou:
Prematurely his hair
Has turned white.
O God, How my soul grieves !
Often my nights are sleepless,
I cannot find slumber.
You are the cause, O ùy dear Keltoum,
When you dress in silk and embroidery.
listen to her music here:
http://www.dzmusique...ouria-Aichi.php
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